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History

The following is a brief pictorial history showing the development of various wind instruments:

Page 1 Flutes & Oboes

Picture 1. Transverse Flutes

A. Stanesby, jun., London. 1 key (D#) 1734-1754

B. Lawson, London. 1 key c.1800

C. Potter, sen., London. 1 key 1785-1806

D. Wafford, London. 4 keys c.1800

E. Laurent, Paris. Glass flute 4 keys 1826

F. Potter, sen., London. 6 keys (2 foot keys) 1777

G. Hale, London. 6 keys 1800

H. Wood, London. Ebony 7 keys (no long F) pat.1814

I. Prowse, London. Nicholson's Improved 8 keys c.1820

J. Monzani, London. 8 keys with extra Bb lever c.1820-1830

K. Boehm, Munchen. Conical with open G# 1832-1840

L. Walpot, Brussels. Cylindrical metal Boehm Modern

Picture 2. Flutes, Piccolos Etc.

A. Alto flute in A no foot keys Early 19th century

B. Brickel, London. F flute 1 key c.1800

C. Hill, late Monzani, London. F flute 5keys c.1836

D. Potter (W.H.), London. Eb flute 4 keys 1823

E. Muss, Vienna. 9 keys with low Bb c.1850

F. Rudall & Rose, London. 10 keys to low Bb 1845-1847

G. Siccama, London. Diatonic flute 11 keys 1847

H. Wallis, London. Giorgi flute 1 key 1888

I. Astor, London. Flute in high Bb 1 key 1780-1800

J. London. Improved flute in high Bb c.1800

K. Bilton, London. Flute in high Bb 5 keys 1825-1850

L. Parker, London. Piccolo in D 1 key c.1800

M. Hawes, London. Piccolo in D 4 keys early 1800's

N. Dawkins, London. Eb Piccolo (in F!) 6 keys late 1800's

O. Piccolo 6 keys late 1800's

P. Thibouville, Paris. Db Piccolo Boehm late 1800's

Q. Townsend, Manchester. Bb fife 1 key early 1800's

Picture 3. Whistle Flutes

A. France. Recorder in A 1700's

B. Heitz, Berlin. Ivory recorder in F c.1724

C. Simpson, London. Double flageolet in Bb 1835-1850

D. Bainbridge, London. Double flageolet in Bb pat.1807,1819

E. Simpson, London. Flageolet c.1835

F. Keith Prowse, London. Flageolet c.1850

G. France. Flageolet in A late 1800's

Picture 4. Oboes

A. T.Stanesby, London. 3 keys (duplicate D#) before 1734

B. F.Lehner. 3 keys early 1700's

C. Richters, (Netherlands?). 3 keys early 1700's

D. C.Delusse, Paris. 2 keys late 1700's

E. Goulding, Wood & Co., London. 2 keys c.1800

F. Milhouse, Newark. 2 keys late 1700's

G. D'Almaine, London. 5 keys c.1835

H. Power, London. 6 keys to low Bb early 1800's

I. Goodlad, London. 9 keys c.1825

Picture 5. Oboes

J. Cotton, London. 2 original keys, 6 added later 1800-1830

K. Golde, Dresden. 13 keys (Sellner's) c.1840

L. Ronnberg, New York. 11 keys 1840-1850

M. Triebert, Paris. 10 keys 1830-1840

N. Triebert, Paris. 11 keys, 3 rings, 2 octave keys 1840-1850

O. Triebert, Paris. 17 keys Cocus late 1800's

P. Triebert, Paris. Low Bb Barret-action, thumbplate late 1800's

Q. Zimmerman, Leipzig. German pattern late 1800's

R. Loree, Paris. Conservatoire model Modern

Page 2 Clarinets & Cor Anglais

Page 3 Bassoons & Sarrusophones

Page 4 Horns

Page 5 Trumpets & Cornets

Page 6 Trombones & Serpents

Page 7 Bugles, Saxhorns, Ophicleides etc.

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